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KstarPick
Pavane

Pavane

7.5Romance · Drama · Melodrama

The moving love story of a man loved by everyone and a woman who is shunned by all. Kyung Rock is a handsome young man who garners adoration wherever he goes for his good looks. While working part-time at a department store, he encounters Mi Jung, who is shunned by all and finds himself drawn to her. As his feelings for the unpopular girl grow, Kyung Rock and Mi Jung begin loving the active involvement of their eccentric and somewhat shady colleague, Yo Han. However, just as they overcome the negative gaze of others and embrace their happiness together, their relationship grows rocky as a series of unforeseen events occur. (Source: Plus M) ~~ Adapted from the novel "Pavane for the Dead Princess" (죽은 왕녀를 위한 파반느) by Park Min Kyu (박민규).

Pavane | Official Teaser | Netflix

Synopsis

The moving love story of a man loved by everyone and a woman who is shunned by all. Kyung Rock is a handsome young man who garners adoration wherever he goes for his good looks. While working part-time at a department store, he encounters Mi Jung, who is shunned by all and finds himself drawn to her. As his feelings for the unpopular girl grow, Kyung Rock and Mi Jung begin loving the active involvement of their eccentric and somewhat shady colleague, Yo Han. However, just as they overcome the negative gaze of others and embrace their happiness together, their relationship grows rocky as a series of unforeseen events occur. (Source: Plus M) ~~ Adapted from the novel "Pavane for the Dead Princess" (죽은 왕녀를 위한 파반느) by Park Min Kyu (박민규).

Reviews
7.5
12 reviews
Acting/Cast
0
Music
0
Story
0
Rewatch Value
0
Comments 12
koreannatic

Pavane is a film that stands out, above all, for its atmosphere and melancholic tone. It isn’t driven by major plot twists or fast-paced action; instead, it takes its time developing the characters’ psychology and the world surrounding them.The direction feels seamless, conveying a lingering sadness in every scene. At its core, the film follows three interconnected lives, each shaped by circumstance and quiet resignation. Among them is a woman trapped by her reality, whose fate seems written from the very first minute. The film leaves a lump in your throat not through dramatic explosions, but through the deeply human loneliness it portrays.The lead performance is outstanding, and the production design is carefully crafted. If you enjoy dramas that prioritize emotion and restraint over action, this is a film you’ll likely appreciate.The pacing may feel slow if you don’t connect with its tone from the beginning. Just a heads-up: be prepared to leave with a heavy heart. The film offers no easy emotional release, only the silence that remains when it ends, the kind that quietly hurts.

JOJOyay

Beautiful and slow-paced movie Everything about this movie is so beautiful, pure and heartbreakingly real. It's perfect if you want something to watch while overstimulated or just ready to get a bit sad lol. So content with it!The storyline was very deep and while some parts were confusing I overall enjoyed it a lot, especially that they didn't create the perfect happy ending you're used to get. It was nice to see Yo Han getting better at the end though!(I'm proud because I actually predicted that Gyeong Rok would die.)

jeoneungd

What if…the Prince and Cinderella did not live happily ever after… This is a story about love but not in the tragic, self-pitying way that many “sad” love stories tend to portray. In fact, I don’t see it as a sad story at all. To me, it’s a lesson. A reminder that when you find the right person, you hold on even if things don’t ultimately work out. Living with regret is far more painful than learning from a mistake.The film is beautifully written. Like Cinderella, life does not always promise a fairy-tale ending. What matters is not the ending, but the journey shared together. It may not deliver the kind of happy conclusion most viewers expect, yet it leaves you with something deeper and more meaningful.I don’t usually gravitate toward melancholic stories, but this one moved me in a different way. It celebrates friendship, connection, and the importance of cherishing relationships while they are still present. As my father once told me, “Don’t give me flowers when I’m dead.” That wisdom resonates deeply here. Appreciate people now. Love them now. Say what needs to be said now.This film gently reminds this generation to brace for the future but more importantly, to live fully in the present.Moon Sang-min may not yet be as globally recognized as some Korean stars, but he absolutely holds his own as a leading man. I felt every layer of his character — the pain, the joy, the laughter, and ultimately, the gratitude. His performance was sincere and grounded. The three main characters beautifully acted their roles. And to Netflix, thank you for continuing to showcase meaningful stories. Not everything needs extravagant production to leave a lasting impact. Sometimes, content and heart are more than enough.

Videos: Trailer & Teasers
Pavane | Official Teaser | Netflix
Pavane | Official Trailer | Netflix [ENG SUB]
Pavane Official Teaser | Update (release date) | Moon Sang Min, Go Ah Sung | New korean movie
Cast
Go Ah Sung

Go Ah Sung

Kim Mi Jeong

Byun Yo Han

Byun Yo Han

Park Yo Han

Moon Sang Min

Moon Sang Min

Lee Gyeong Rok

Lee Yi Dam

Lee Yi Dam

Se Ra

Han Yu Eun

Han Yu Eun

Hyeon Ji

Seo Yi Ra

Seo Yi Ra

Suk Hui

Kwon Do Kyun

Kwon Do Kyun

Hyeong Geun

Jang Yo Hoon

Jang Yo Hoon

Dong Hwan

Seo Ho Seok

Seo Ho Seok

Ho Cheol

Shin Jung Keun

Shin Jung Keun

[Kentucky Hope's owner]

Jin Seo Jin

Jin Seo Jin

Woo Jeong Won

Woo Jeong Won

C

Jisoo really proved herself as an actress with this role. What a legend 👑

1h

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Where to Watch

Netflix

Netflix

Synopsis

The moving love story of a man loved by everyone and a woman who is shunned by all. Kyung Rock is a handsome young man who garners adoration wherever he goes for his good looks. While working part-time at a department store, he encounters Mi Jung, who is shunned by all and finds himself drawn to her. As his feelings for the unpopular girl grow, Kyung Rock and Mi Jung begin loving the active involvement of their eccentric and somewhat shady colleague, Yo Han. However, just as they overcome the negative gaze of others and embrace their happiness together, their relationship grows rocky as a series of unforeseen events occur. (Source: Plus M) ~~ Adapted from the novel "Pavane for the Dead Princess" (죽은 왕녀를 위한 파반느) by Park Min Kyu (박민규).

Reviews0

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(0 reviews)

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Featured Reviews

8
Cora
21 days ago

This review may contain spoilers Sad People in L...

Sad People in Love From the jump, Pavane feels like it exists in a slightly warped reality where everyone is lonely, underemployed, and quietly disappointed in themselves, which already makes it more honest than most romantic films. The story centres on three people working in the same department store, which is basically a factory for emotional suppression. Gyeong-rok parks cars while chasing dance like it’s a personality trait, Mi-jeong works in the basement like society physically pushed her underground, and Yo-han floats around as the charming, slightly strange friend who seems socially successful but radiates the kind of loneliness that comes from being liked without being known.The romance between Gyeong-rok and Mi-jeong does not arrive with fireworks or dramatic confessions because this film understands that people who feel undesirable don’t flirt like normal humans. Their connection grows through small glances, long pauses, and the shared exhaustion of knowing they do not fit society’s idea of a perfect couple, which somehow makes their relationship feel more intimate than any cinematic grand gesture ever could. It is not fantasy love, it is survival love, the kind that says, “You also feel out of place? Great, let’s be uncomfortable together.”Mi-jeong sits at the emotional centre of the film, and instead of giving her a makeover or a glow-up montage, the story does something far more radical by letting her remain exactly as she is and demanding that the audience take her seriously anyway. She is repeatedly criticised for her appearance, as if her face itself is a social failure, and the film never pretends this cruelty does not wound her. But it also refuses to turn beauty into her redemption arc. Her worth comes from endurance, from continuing to exist in a world that keeps suggesting she should not. Go Ah-sung plays her with a quiet vulnerability that feels like someone constantly holding their breath, revealing trauma, fear, and the aching desire to be seen without ever turning Mi-jeong into a lesson or a slogan.Gyeong-rok is gentle in a way that feels painfully realistic because he is clearly in love and yet emotionally illiterate, like a man who downloaded feelings without reading the instructions. He hesitates, misreads situations, and can be frustratingly dense, but that clumsiness makes him feel human rather than engineered. Their relationship never feels manufactured; it feels like something that grew by accident because neither of them expected to be chosen.Yo-han is the most ambiguous figure, hovering between friend, observer, and emotional disruptor, adding a slightly surreal layer to the story as if he understands the characters better than they understand themselves. Sometimes this perspective deepens the film’s exploration of loneliness, showing how charisma can coexist with isolation, but at other times it pulls attention away from the central romance just as it begins to settle into rhythm, which raises the uncomfortable question of whether this imbalance is intentional or simply a flaw in the writing.Visually, the film leans into muted colours and a faintly vintage atmosphere, turning the underground parking lot into an obvious but effective metaphor for lives lived outside society’s spotlight. The cinematography is restrained and elegant, and the use of classical music lifts certain scenes into something almost dreamlike. Yet the pacing in the second half weakens the overall impact, as transitions between emotional moments feel awkward and uneven, creating a pattern where the film draws you in deeply and then abruptly lets you go before the feeling can fully land.Still, despite these structural issues, the film leaves behind genuine emotional weight because its sincerity about love, insecurity, friendship, and longing cuts through its imperfections. It is less about happiness than about the way even brief love can permanently reshape how people see themselves. These are characters who believe they do not deserve affection and slowly realise that being chosen once might be enough to sustain them for years.Pavane is not a spectacle and does not trade in fantasy or transformation. It offers hushed pain, awkward tenderness, and the quietly devastating idea that someone might love you exactly where you are: in the basement, in the parking lot, in the version of yourself you assumed no one would ever pick. And somehow, that restrained hope feels more radical than any dramatic romance ever could.

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7
VAMPIRELUKEVOYAGE
18 days ago

ehhhhhhhhhhh The movie itself was great but feels...

ehhhhhhhhhhh The movie itself was great but feels like they threw that clique ending in there just so the movie had proper substance. If it weren't for that ending then it would have been a skip for most. Now it lands itself in the K-truama list which boosts it instantly. Since people like to rate these kinds of shows based on the ending. I like the vibe of the movie and it kept me entertained. But definitely not the best.7/10 ehhhh I'd say watch every other k-trauma story first before you get to this one. Not highly recommended but not a skip. It's giving that one movie that came out 6 years ago that you still haven't watched. But it's now 2032 and you're ready.

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5
Critica sin filtro
19 days ago

This review may contain spoilers A Film That Cha...

A Film That Changes Its Thesis in the Final Act The first two acts of this film establish a clear and compelling thematic direction, only for the final act to quietly replace it.The opening is exceptional. It builds two ordinary people connecting without status hierarchy, romantic pedestal, or aspirational fantasy. Their relationship feels grounded, emotionally honest, and free from exaggerated melodrama. The thesis appears simple yet rare: that two common individuals can connect purely because they do.The pacing is not slow—it is restrained. Each scene advances the psychological conflict with intention. The emotional progression leads naturally to the public confession, which functions as the true climax of the story. By that point, the arc feels complete. The transformation is earned through vulnerability, not spectacle.The issue arises in the third act.The sudden death of the male lead does not emerge from prior conflict, thematic groundwork, or character decisions. It functions primarily as an external shock. More significantly, the narrative reframes this tragedy as the catalyst for her empowerment.From a structural and psychological standpoint, this shift feels unearned. A character defined by insecurity, avoidance, and a retreat into emotional darkness would not realistically find immediate strength in the loss of her only source of validation. The film replaces process with symbolism.The original thesis suggested that connection itself was enough. The final act implies that loss is what grants that connection transcendence.That shift alters the film’s identity.Tragedy does not automatically deepen a story. Structural coherence does. And here, the coherence established so carefully in the first two acts gives way to impact-driven symbolism.The foundation was strong. The final turn changes what the film ultimately stands for.

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9.5
Drama Obsessed
20 days ago

This review may contain spoilers Pavane I love ...

Pavane I love how real & raw this story is. It’s not perfect. No Sunshine/rainbows, crazy sparks, 2 hot leads, girl gets makeover, happy ending... Something SO unrealistic. Is it kind of boring? Maybe. But that’s what makes it charming, IMO. I was captivated by how not over the top romantic it was. This just hit different. & I hope it gets the recognition it deserves. It’s definitely not what I thought it would be. I’m not gonna lie. but I was pleasantly surprised. Even if I feel duped & my heart hurts. 😅😭

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2
puddang
11 days ago

This review may contain spoilers In the Year of ...

In the Year of Our Lord 2026???????????? It makes SO much sense to me that this is adapted from a novel that was released in 2009 because everything about this story felt extremely dated, all the way down to the incredibly tacky (putting it mildly) mid-credits scene featuring the main characters in Native American cosplay (no, that is not a joke).Gyeong-rok literally falls in love with Mi-jeong because she's "not like other girls," like come onnnnn. Sure, he did a fine job in conveying that what he felt was genuine, but unfortunately the leads didn't have enough chemistry to make the slow burn feel worth it at all. This movie also has nothing grounding it to Korean society or even a specific era (they just speak Korean and use smartphones, that's it), so while you could say it gives it a timeless quality that anyone can relate to, I found that it made the story even more bland and divorced from reality. It felt like it could have been made by anyone with any combination of actors, so it makes you wonder what the point is.Another huge problem I had is that all the characters are incredibly shallow in their development, only getting vague references to their backgrounds, so your brain has to work overtime to fill in the blanks of these hollow shells of people. The stuff with Gyeong-rok's dad? Doesn't matter. His motivation for going to dance school? Also doesn't matter. Why does Mi-jeong live such a harrowing life to the point that she doesn't have a phone? Who knows? What's Yo-han's whole deal, and how did he even manage to get out of his depressive funk at the end? Couldn't tell you, although the movie seems to strangely imply that it's thanks to the *SPOILER* *SPOILER* *SPOILER* *SPOILER* *SPOILER* *SPOILER* *SPOILER* *SPOILER* major character death that happens????The ending is predictable and would be emotionally manipulative if the movie was able to make me feel anything at all. The only points I give it are for Moon Sangmin's face and the fact that the fake-out bit at the end where they threw in the ULTIMATE Kdrama cliche (iykyk) made me genuinely laugh until I was out of breath.

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9
jeoneungd
18 days ago

What if…the Prince and Cinderella did not live hap...

What if…the Prince and Cinderella did not live happily ever after… This is a story about love but not in the tragic, self-pitying way that many “sad” love stories tend to portray. In fact, I don’t see it as a sad story at all. To me, it’s a lesson. A reminder that when you find the right person, you hold on even if things don’t ultimately work out. Living with regret is far more painful than learning from a mistake.The film is beautifully written. Like Cinderella, life does not always promise a fairy-tale ending. What matters is not the ending, but the journey shared together. It may not deliver the kind of happy conclusion most viewers expect, yet it leaves you with something deeper and more meaningful.I don’t usually gravitate toward melancholic stories, but this one moved me in a different way. It celebrates friendship, connection, and the importance of cherishing relationships while they are still present. As my father once told me, “Don’t give me flowers when I’m dead.” That wisdom resonates deeply here. Appreciate people now. Love them now. Say what needs to be said now.This film gently reminds this generation to brace for the future but more importantly, to live fully in the present.Moon Sang-min may not yet be as globally recognized as some Korean stars, but he absolutely holds his own as a leading man. I felt every layer of his character — the pain, the joy, the laughter, and ultimately, the gratitude. His performance was sincere and grounded. The three main characters beautifully acted their roles. And to Netflix, thank you for continuing to showcase meaningful stories. Not everything needs extravagant production to leave a lasting impact. Sometimes, content and heart are more than enough.

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5.5
kentv
17 days ago

This review may contain spoilers I Did Not Like ...

I Did Not Like It I'm hard-pressed to remember anything I liked about this movie. I guess some folks enjoy the real life unhappy ending shows, but I'm not one of them. Weird film. Twists and turns, just not the fun kind. And are we supposed to believe that the FL would still have a job if she were to show up looking like she did at the beginning of the movie? Doubtful. Oh, now I remember something that I thought was funny: When the leads are confessing to each over the walkie talkies it was fun (though unrealistic) to see their co-workers gathered together listening in and cheering. Then things go Korean and now all of a sudden the two social outcasts are further ostracized in the company cafeteria. Because they like each other. If only they could get away with a middle finger salute. But hey, I'm just your average rude American. what do I know?

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10
autumn carrot
13 days ago

It's so good, go watch it! Okay, I don't really h...

It's so good, go watch it! Okay, I don't really have coherent words right now. The first review sums it up perfectly. This was such a beautiful movie and it will stay with me for a long long time. The movie understands loneliness and feeling undesirable so well that it gave me hope for humanity. It has been a long time since a movie felt so sincere and close to me. The acting was amazing all around. The music choices were inspired. I'm going to rewatch this everyone I know!

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8.5
My Purple Skies
19 days ago

I can't get it out of my head. Although I really ...

I can't get it out of my head. Although I really enjoyed this movie, I wasn't going to write about it, because I thought I didn't have anything interesting to say, but almost a full 24 hours after watching it, I keep replaying it in my head, the more I think about it, the more I like it, the more the pain lingers so I have to put my thoughts about it in writing whether they're interesting or not.To My Beloved Thief changed my mind about Moon Sangmin, to me he was Just tall handsome guy who just stood there with the same confused expression no matter the situation his carachter is put in, the swimmer in Mermaid prince,the prince in under the Queen's Umbrella, younger guy dating older lady in Cinderella at 2 AM, all the same boring handsome dude ( he was good in Duty after school though, just as or maybe more disgusting than Taeman was in he webtoon). All that to say that I was looking foward to what he would do in Pavane and although he does have that confused handsome guy face in this one, it works so perfectly, Gyeongrok is a sad kid who has had a really tough life, the unflattering way dresses and that gloomy air around him, Moon Sangmin made me care for this guy so badly. I love that Kim Mijeong kept her look throughout the movie, yes she was quirky, mousy and bashful, that eventually did get better, but finically, no makeup, simple clothing and hairstyle it was just her and she didn't need to change that. The way GyeongRok would light up when he saw her was like stepping into a whole new world, these two usually gloomy people would brighten up, smile, sing and dance, and make us root for their love.Although the movie is a bit slow at times, it makes sense given the personalities of our two main leads, its a slow burn romance with a devastating ending but it is very much worth watching at least once.

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9
Zeruno
21 days ago

THIS FILM DESERVES A FULL 8.8 RATİNG. First of al...

THIS FILM DESERVES A FULL 8.8 RATİNG. First of all, I should mention that this will be a short review because I don't know what to write at length. When I watched part of the trailer, I thought it was a thriller and thought, "Ah, it would be great if it were a romantic series." Then it appeared on MDL, and after watching a bit, I saw that it was a movie and a romantic one. So I thought maybe I'd watch it, but it completely slipped my mind. Then today I saw that this movie came out and decided to start watching it for a bit of fun. Before starting, I thought it would just be an ordinary coming-of-age story. But it was definitely so much more than that. When I finished it, I told myself, "I'm so glad I watched this." The romance between them was lovely, and it delivered everything it promised. Although I thought the ending was a little strange, it was quite good and I liked it. Finally, this movie deserves a full 8.8 rating. I wish someone would give it a higher score so its rating would increase. Anyway, have a good day.

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9
JOJOyay
20 days ago

This review may contain spoilers Beautiful and s...

Beautiful and slow-paced movie Everything about this movie is so beautiful, pure and heartbreakingly real. It's perfect if you want something to watch while overstimulated or just ready to get a bit sad lol. So content with it!The storyline was very deep and while some parts were confusing I overall enjoyed it a lot, especially that they didn't create the perfect happy ending you're used to get. It was nice to see Yo Han getting better at the end though!(I'm proud because I actually predicted that Gyeong Rok would die.)

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9
koreannatic
16 days ago

Pavane is a film that stands out, above all, for i...

Pavane is a film that stands out, above all, for its atmosphere and melancholic tone. It isn’t driven by major plot twists or fast-paced action; instead, it takes its time developing the characters’ psychology and the world surrounding them.The direction feels seamless, conveying a lingering sadness in every scene. At its core, the film follows three interconnected lives, each shaped by circumstance and quiet resignation. Among them is a woman trapped by her reality, whose fate seems written from the very first minute. The film leaves a lump in your throat not through dramatic explosions, but through the deeply human loneliness it portrays.The lead performance is outstanding, and the production design is carefully crafted. If you enjoy dramas that prioritize emotion and restraint over action, this is a film you’ll likely appreciate.The pacing may feel slow if you don’t connect with its tone from the beginning. Just a heads-up: be prepared to leave with a heavy heart. The film offers no easy emotional release, only the silence that remains when it ends, the kind that quietly hurts.

Read more

Videos: Trailers & Teasers

Pavane | Official Teaser | Netflix
Pavane | Official Trailer | Netflix [ENG SUB]
Pavane Official Teaser | Update (release date) | Moon Sang Min, Go Ah Sung | New korean movie

Cast

Go Ah Sung

Known for roles in Korean dramas and films

Go Ah Sung

Kim Mi Jeong

Byun Yo Han

Known for roles in Korean dramas and films

Byun Yo Han

Park Yo Han

Moon Sang Min

Known for roles in Korean dramas and films

Moon Sang Min

Lee Gyeong Rok

Lee Yi Dam

Known for roles in Korean dramas and films

Lee Yi Dam

Se Ra

Han Yu Eun

Known for roles in Korean dramas and films

Han Yu Eun

Hyeon Ji

Seo Yi Ra

Known for roles in Korean dramas and films

Seo Yi Ra

Suk Hui

Kwon Do Kyun

Known for roles in Korean dramas and films

Kwon Do Kyun

Hyeong Geun

Jang Yo Hoon

Known for roles in Korean dramas and films

Jang Yo Hoon

Dong Hwan

Seo Ho Seok

Known for roles in Korean dramas and films

Seo Ho Seok

Ho Cheol

Shin Jung Keun

Known for roles in Korean dramas and films

Shin Jung Keun

[Kentucky Hope's owner]

Jin Seo Jin

Known for roles in Korean dramas and films

Jin Seo Jin

Unknown Role

Woo Jeong Won

Known for roles in Korean dramas and films

Woo Jeong Won

Unknown Role