Choi Jin Hyuk

Oh Yeon Seo

Hong Jong Hyun

Kim Da Som

Kim Ki Doo

Son Byung Ho

Kim  Sun Kyung

Jang Yeo Bin

Baek Eun Hye

Ryu Tae Ho

Kim Soo Jin

Jung  Soo Young

Kwon Hyuk Bum

Shin Soo Jung

Kim Tae Won

Kim Yoon

Lee Sang Hee

Park Kyung Rim

Kim Hyun Kyu

Song Kyung A

Kim Chae Won

Kwak Yeong Seon

Kim Jin Hyeon

Kim Seoung Woo

Kim Yun Hui

An Jun Seo

Park Sharon

A reverse romantic comedy about a "shotgun romance" that begins with a one-night stand between a man and a woman who both vowed never to get married in this lifetime.

Kang Du Jun, a seemingly perfect second-generation chaebol from head to toe. Having decided that marriage was not in the cards for this life, he lives for his remaining family and company in place of his deceased older brother. However, his life takes an unexpected turn when he becomes entangled with Jang Hui Won after a wild one-night fling.

Jang Hui Won, a career woman who scores 100 in work but 0 in romance. Scarred by her parents’ divorce and a harsh upbringing under a cold, critical mother, she has shut herself off from the idea of marriage and embraced singlehood by choice. But her carefully structured life faces an unforeseen twist following that one impulsive night.

아기가 생겼어요

This review may contain spoilers   Positively Yours’: When Irresponsibility Is Framed as Romance”  A woman is forced to carry the responsibility of pregnancy simply because she had a one-night stand, while the man who refused to use protection can walk away. Even if he later “takes responsibility,” he will never go through pregnancy, labor pain, or childbirth. That burden is forced on the woman by nature alone.And what if she’s married? What if she doesn’t want to be involved with him, doesn’t want to marry him, or doesn’t want to be a mother at all? Consent to sex is not consent to pregnancy—something even married couples decide together.Not using protection isn’t a tragic flaw or romantic complexity; it’s basic irresponsibility and a lack of respect. It strips a woman of choice and forces life-altering consequences onto her without consent.When a show presents this casually, people are completely justified in criticizing it—even after just one episode.The show treats stalking as if it’s romantic concern. Finding her address without consent, watching her from a distance, intruding into her personal life, and interrogating her choices are framed as “caring.” This is not concern—it’s surveillance. If this were happening in real life, it would be frightening, not flattering.What’s even more disturbing is how the narrative openly pressures her to carry and deliver his baby. She is not asked what she wants. She is not given space to decide. Instead, she is pushed, cornered, and emotionally coerced—then told to “at least try” dating him. Not because she desires it, not because she consented, but because he decided this is how things should go.This is not courtship. He is not requesting the chance to get to know her. He is imposing rules—meeting three times a week, maintaining contact, staying involved—despite her clear discomfort. That is control, not romance.The woman is reduced to a function: a womb with obligations. Her autonomy, freedom, and right to refuse are treated as inconveniences that the story expects her to “grow out of.” This framing dehumanizes her, turning her into a baby-making machine whose life must now revolve around a man’s mistake and entitlement.Calling this “love” or “responsibility” is dishonest. It is forced intimacy dressed up as destiny.When dramas normalize this behavior, they are not exploring moral complexity—they are promoting a deeply regressive idea: that a woman’s body and future can be claimed once sex occurs, regardless of her will. That is not romantic. That is coercive. And yes, it is barbaric.So no, viewers don’t need to “watch more episodes” to criticize this. When a show casually excuses stalking, erases consent, and glorifies the stripping of a woman’s freedom, one episode is more than enough to recognize the problem.He is the president of the company she works for. He holds institutional authority over her career, her future, and her daily professional life. She was selected to study in Germany—something she genuinely wanted, something that represents independence, growth, and a future beyond him. That context matters.So when he says things like, “It’s your choice whether you keep the baby or not,” those words are meaningless. Consent cannot exist under intimidation. A choice made while someone controls your job, your visa prospects, and your professional future is not a real choice—it’s pressure disguised as politeness.His actions repeatedly contradict his words. While claiming to respect her decision, he continuously pushes, manipulates, and corners her into keeping the pregnancy. While acknowledging her refusal to marry him, he still forces the idea of marriage onto her, treating her clear NO as something temporary, negotiable, or irrelevant.This is textbook coercion.Emotional coercion.Economic coercion.Professional coercion.The show normalizes a deeply disturbing dynamic where a powerful man uses his position to override a woman’s autonomy, then masks it with soft dialogue so the audience is expected to see him as “responsible” or “misunderstood.” He is neither.Saying “it’s your choice” while actively sabotaging her ability to choose is manipulation, not respect. Ignoring her refusal and continuing to push marriage and forced intimacy is not persistence—it’s entitlement.When a drama frames this as romance instead of abuse, it isn’t just bad writing. It’s dangerous storytelling. It teaches that women’s boundaries don’t matter if a man is powerful, persistent, or emotionally invested enough.And that is exactly why criticism after just one—or two—episodes is not premature. The message is already loud and clear.

This review may contain spoilers   Positively Your...

Countering biased reviews with a 10!!   People are giving biased reviews which skews the rating negatively unnecessarily! Keep your biased opinions to yourself and rate it based on the overall storyline and performance. So, what if they had a one night stand which resulted in a pregnancy? That’s nothing new and the fact that she decides to keep the baby is her choice! Why criticize her for it?!  Women CAN have a career AND have children as well! What if they actually liked each other from the beginning and now decided to pursue a relationship in spite of the pregnancy?! Stop forcing your opinion and lowering the ratings with your biase!

Countering biased reviews with a 10!!   People are...

This review may contain spoilers   100 ways to ruin a good story!!!  Ughh, I'm so frustrated. I read the whole manhwa and was soooo excited for this one to air. But they ruined everything. Cast all wishy washy old actors who should act as mother and father of the lead. And the storyline,  they changed it. Like the FLs being a teacher was such a major plot, and they removed it. DON'T RECOMMEND!! DON'T WATCH!!

This review may contain spoilers   100 ways to rui...

I thought I was going to despise it but it now that back  I  know they changed the whole story and made the actors older but it’s actually really good like I was forcing my self to hate it soooooooooo much but it’s really good. The actors really ate that, like even the side characters aren’t that boring.                                                                                                                                                                                                           I feel like it’s also mainly bias hate because it’s not people’s favorite actor/actress and because they are a little bit old.

I thought I was going to despise it but it now tha...

This review may contain spoilers   CHANGED THE SOUCE MATERIAL  writing my first review ever because this pisses me off so much, why do they have to do this with webtoon adaptations.Don't advertise the show as a Web Novel/ Webtoon adaptation and change the souce material completely. The whole point of the webtoon/webnovel is that she is a teacher and she gets pregnant.

This review may contain spoilers   CHANGED THE SOU...

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A reverse romantic comedy about a "shotgun romance" that begins with a one-night stand between a man and a woman who both vowed never to get married in this lifetime. Kang Du Jun, a seemingly perfect second-generation chaebol from head to toe. Having decided that marriage was not in the cards for this life, he lives for his remaining family and company in place of his deceased older brother. However, his life takes an unexpected turn when he becomes entangled with Jang Hui Won after a wild one-night fling. Jang Hui Won, a career woman who scores 100 in work but 0 in romance. Scarred by her parents’ divorce and a harsh upbringing under a cold, critical mother, she has shut herself off from the idea of marriage and embraced singlehood by choice. But her carefully structured life faces an unforeseen twist following that one impulsive night.  ~~ Adapted from the web novel "Positively Yours" (아기가 생겼어요) by Lee Jeong (이정). takes an unexpected turn when he becomes entangled with Jang Hui Won after a wild one-night fling. Jang Hui Won, a career woman who scores 100 in work but 0 in romance. Scarred by her parents’ divorce and a harsh upbringing under a cold, critical mother, she has shut herself off from the idea of marriage and embraced singlehood by choice. But her carefully structured life faces an unforeseen twist following that one impulsive night.  ~~ Adapted from the web novel "Positively Yours" (아기가 생겼어요) by Lee Jeong (이정). takes an unexpected turn when he becomes entangled with Jang Hui Won after a wild one-night fling.

Jang Hui Won, a career woman who scores 100 in work but 0 in romance. Scarred by her parents’ divorce and a harsh upbringing under a cold, critical mother, she has shut herself off from the idea of marriage and embraced singlehood by choice. But her carefully structured life faces an unforeseen twist following that one impulsive night.



~~ Adapted from the web novel "Positively Yours" (아기가 생겼어요) by Lee Jeong (이정).